On placeholder, the second album from Meg Duffy’s Hand Habits, the singer/songwriter orbits a stinging absence, ruminating on the ephemeral nature of emotional attachment.
Characters pass through placeholder like silhouettes on the horizon; as Duffy watches them go, these songs weave narratives around the space they leave behind.
What’s a love story with only half the cast? A plaintive consideration of the ways people shape each other, even in disappearance.
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